CAPE COD VIEW MAGAZINE
August 2010
Bridging the gulf
Jazz
performers join to help other musicians survive tragedy
By JOHANNA CROSBY
Award-winning
singer-songwriter Paul Sanchez of New Orleans was ready to bring a celebratory
spirit to
his debut performance
at the Provincetown Jazz Festival.
ItÕs been five years
since Hurricane Katrina ravaged his city, Òand things were starting to come
along nicely,Ó
Sanchez says. ÒYou could see neighborhood kids
playing on the street.Ó
But then the gulf oil
spill happened.
Now his performance
canÕt help but be Òtinged with sadnessÉ.A much bigger battle is being
waged. ItÕs such
a kick in the guts.Ó
Post-Kartrina Òwas a
tragic time, but we bounced back,Ó Sanchez continues. The gulf spill Òis not something
people can rebuild
from. It will kill the wildlife
and put thousands of people out of work.
It will last.
Generations of
fisherman and shrimpers have nothing left to stay for. They have to move and find a new way
to live.Ó
Born and raised in New
Orleans, Sanchez, 50, and his wife lost their home and belongings, including
most of his
written music, in the
flood that Katrina brought. They
thought of leaving the Treme section of New Orleans but
decided to remain
Òbecause this is home to both of us.Ó
Yet the tragedy was a
turning point for Sanchez to make new music and forge a new life. For 15 years, he played
in the rock band Cowboy
Mouth, spending most of that time on the road.
Sanchez always longed
to connect with his roots and make music that was closer to his heart. He began studying
traditional and jazz
guitar with guitar professor John Rankin at Loyola University. Some of his musician friends
thought his decision to
take music lessons and relearn his craft was Òhumbling.Ó But Sanchez didnÕt see it that
way.
ÒIt took me back to the
roots of my music. I learned to
communicate in somebody elseÕs language.Ó
Sanchez processed the
staggering losses of the hurricane by writing a post-Katrina tribute, ÒHome,Ó
which was
featured on the Starz
documentary ÒNew Orleans Music in Exile.Ó
Threadhead Records, a
fan-based, volunteer-run California record company, committed to helping New Orleans
musicians rebuild their
lives, helped him get back on his feet and make music again. ÒIt was life-saving,Ó he says.
When the record company
asked him to perform at the Provincetown Jazz Festival, he was more than happy
to oblige.
Partial proceeds of the
festival will go to the New Orleans MusiciansÕ Clinic, a health clinic for
uninsured musicians
founded and directed by
Bethany & Johann Bultman of Provincetown and New Orleans.
The clinic is vital,
considering that the average New Orleans musician makes $15,000 a year and has
no health insurance.
To commemorate the
fifth anniversary of Katrina, Bart Weisman, founder, executive producer and
performer, decided to
dedicate this yearÕs
festival to New Orleans, the birthplace of jazz.
Besides showcasing Òthe
best musicians,Ó the non-profit jazz festival also has a philanthropic thrust.
Sanchez is the ideal
headliner for the festival.
He is the winner of 2009 songwriter of the year by OffBeat
Magazine.
His new CD, ÒFarewell
to Storyville,Ó was recently released on Threadhead Records. Sanchez and his longtime friend, John
Boutte performed their
song ÒFoot of Canal StreetÓ in the fourth episode of HBOÕs ÒTreme.Ó His music was used in the TV
series ÒHomicide: Life
on the StreetÓ and in films such as ÒThe Accused,Ó starring Jodie Foster. HeÕs just finished the music
for a new musical, ÒNine
Lives: Death and Life in New
Orleans,Ó by Dan Baum. Sanchez has also written his first
book,
a collection of essays,
about life, music and love in New Orleans.
Friday nightÕs concert
will feature jazz saxophonist Greg Abate, jazz vocalist Dane Vannatter, and New
York pianist/vocalist
Janice Friedman, with
Chris Rathbun on bass and Bart Weisman on drums.
Sanchez will perform in
Saturday nightÕs ÒTribute to New OrleansÓ with trumpeter Steve Ahern. Opening the concert will be
the Berklee Rising
Stars featuring Clay Lyons on saxophone and Matt Joseph (from Cape Cod) on
trumpet. They will be
accompanied by Berklee
Faculty Musicians Suzanne Davis on piano, John Lockwood on bass and Bob Kaufman
on drums.